This book presents the dilemmas, the innovations and also the helplessness of postcolonial subjects living life under the onslaught of transnational capital. The authors stories are fabulist whose intimacy with the Indian rural landscape is a protest against the rationalizing arrogance of the Western gaze its abstract and ultimately brute powers of surveillance and its defiling avarice.
The Oxford India Anthology of Modern Urdu Literature comprehensively and creatively surveys the field from the mid-nineteenth to late twentieth centuries. Covering 100 years of literary production, including about 90 authors and over 130 selections, and many new translations, the twin volumes covers major genres like poetry, drama, and fiction, as well as essays, autobiography, and letters. The 'Poetry and Prose Miscellany' volume begins with Akbar Ilahabadi (1846-1921) and ends with Tanveer Anjum (b.
Urdu Literary Culture examines the impact of political circumstances on vernacular (Urdu) literary culture through an in-depth study of the writings of Muhammad Hasan Askari (1919-78), Urdu's first and finest literary critic. Askari's life was lived at the crossroads of early nation formation in South Asia—this study provides a detailed treatment of the intellectual world that Askari inhabited and complicates previously held notions about his life and work by looking at some of his writing through the lens of sexuality.
Social and ethnic identity are nowhere more enmeshed with language than in Israel. Words and Stones explores the politics of identity in Israel through an analysis of the social life of language. By examining the social choices Israelis make when they speak, and the social meanings such choices produce, Daniel Lefkowitz reveals how Israeli identities are negotiated through language. Lefkowitz studies three major languages and their role in the social lives of Israelis: Hebrew, the dominant language, Arabic, and English.